A bunch of pals come collectively for a cocktail party hosted by Victor (Charlie Robb) in a dilapidated outdated mansion. Following the dinner, the group is instructed the historical past of the home and they’re coerced into collaborating in a séance led by medium Madame Bellrose (Mauren Bennett). Soon the group is thrown into the midst of chaos after by accident opening the gates of hell and unleashing havoc.
Here Comes Hell is the directorial debut of Jack McHenry, who co-wrote the characteristic with Alice Sidgwick. Set within the 1930s and filmed in black-and-white, the movie attracts closely on classics from the horror style and pays loving homage to them all through its 73-minute run time. Introducing the array of characters – Victor’s razor-sharp sister Christine (Margaret Clunie), his pal Freddie (Timothy Renouf) who brings new girlfriend Elizabeth (Jessica Webber) and Texan George (Tom Bailey) – within the first 15 minutes, Here Comes Hell is raring to throw you into the center of the motion.
It’s established that there’s an advanced dynamic among the many group. Christine has been romantically concerned with each Freddie and George, and none of them have met Elizabeth earlier than. Once they partake within the séance, they’re compelled to affix forces regardless of their private emotions in the direction of one another. This is when the movie actually kicks into motion and the tempo picks up considerably. There are loads of laughs available in addition to some respectable scares.
One facet of the movie that merely needs to be highlighted is the particular results. Here Comes Hell is shot on a miniscule funds however the particular results are spectacular. A mixture of sensible results and animation are used all through they usually regarded terrific. The strategies additionally properly complemented the 1930s interval setting and the black-and-white look-and-feel of the movie.
Margaret Clunie and Timothy Renouf are the standouts within the solid. Clunie is splendidly edgy as Christine, typically getting one of the best traces and snarking her approach via each drink and cigarette she enjoys. Renouf, who was a spotlight in final 12 months’s F.U.B.A.R., is on high type because the impeccably turned out and well-spoken Freddie. He will get to indicate off his comedy abilities in elements and he’s positively bought a vivid future forward. Charlie Robb barely over hams it as Victor and Tom Bailey’s efficiency is derailed slightly bit by his dodgy American accent.
Jessica Webber places in a strong flip as Elizabeth and her character will get essentially the most growth out of everybody. She’s remodeled from a meek and delicate stranger to a possible remaining lady over the course of the movie. Mauren Bennett is value a point out too because the batty Madame Bellrose. Her eccentric efficiency provides to the loopy vibe of the movie and she or he’s a pleasure to look at.
Here Comes Hell has so much going for it. It’s an gratifying romp that doesn’t outstay its welcome. While there could also be some fine-tuning points with the solid, McHenry reveals loads of potential with this debut. The movie doesn’t take itself too significantly and it’s all the higher for it. Here Comes Hell retains a tongue firmly in its cheek and places McHenry on the map as a film-maker to control.
Cast: Margaret Clunie, Jasper Britton, Timothy Renouf, Maureen Bennett, Nicholas Le Provost, Robert Llewellyn, Tom Bailey, Jessica Webber, Alfred Bradley, Charlie Robb Director: Jack McHenry Writers: Jack McHenry, Alice Sidgwick Certificate: TBC Duration: 73 minutes Released by: Trashouse Films